BFI cookie policy | BFI

Sight and Sound’s Weekly Film Bulletin | BFI

Sight and Sound magazine FAQs | BFI

Where to begin with François Ozon | BFI

BFI distribution | BFI

10 great films based on albums | BFI

BFI to celebrate Tom Cruise with a BFI Fellowship | BFI

10 great Slovak New Wave films | BFI

The first great work of gig economy cinema: Laura Carreira on her powerful debut On Falling | BFI

10 great Baltic films | BFI

All interactive components on a page, such as buttons or menus, should be far enough apart 
from other interactive areas, to avoid them being used by mistake. 

This ensures people with motor impairments can easily click or tap on the right element.

## Methodology

This check is run on both the mobile and desktop versions of every page. Results
for each may differ.

1. All interactive elements are identified, including buttons, links, and form controls.
2. If an element is not normally visible, it is ignored. This includes elements which
   are positioned offscreen or cropped (e.g. for 'screen-reader only' text).
3. If an element is larger than 24 CSS pixels in both dimensions, it passes.
4. Otherwise, the element is compared to all other elements on the page.
5. The minimum horizontal gap between the element is calculated as 24 CSS pixels,  
   minus the width of the element.
6. The minimum vertical gap between the element is calculated as 24 CSS pixels,  
   minus the height of the element.
7. If another element falls within the minimum horizontal or vertical gap, the 
   element fails, unless both are links that point to the same place.

## Further reading

This is part of the draft WCAG 2.2 specification and is subject to change.

* [Target Size (Minimum)](https://w3c.github.io/wcag/understanding/target-size-minimum.html)

ensure-minimum-target-size

June 2025

May 2025

British Film Institute

Title / URL	Issues
BFI cookie policy \| BFIwww.bfi.org.uk/bfi-cookie-policy	14
Sight and Sound’s Weekly Film Bulletin \| BFIwww.bfi.org.uk/sight-and-sound/weekly-film-bulletin	4
Sight and Sound magazine FAQs \| BFIwww.bfi.org.uk/sight-and-sound/faqs	4
Where to begin with François Ozon \| BFIwww.bfi.org.uk/features/where-begin-with-francois-ozon	3
BFI distribution \| BFIwww.bfi.org.uk/bfi-distribution	3
10 great films based on albums \| BFIwww.bfi.org.uk/lists/10-great-films-based-albums	3
BFI to celebrate Tom Cruise with a BFI Fellowship \| BFIwww.bfi.org.uk/news/tom-cruise-bfi-fellowship	3
10 great Slovak New Wave films \| BFIwww.bfi.org.uk/lists/10-great-slovak-new-wave-films	3
The first great work of gig economy cinema: Laura Carreira on her powerful debut On Falling \| BFIwww.bfi.org.uk/interviews/laura-carriera-falling	3
10 great Baltic films \| BFIwww.bfi.org.uk/lists/10-great-baltic-films	3

Ensure interactive components are far enough apart

British Film Institute

Where this issue has occurred